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The Dark Age - Isbn:9781893905535

Category: Graphic Novels

  • Book Title: The Dark Age
  • ISBN 13: 9781893905535
  • ISBN 10: 1893905535
  • Author: Mark Voger
  • Category: Comics & Graphic Novels
  • Category (general): Graphic Novels
  • Publisher: TwoMorrows Publishing
  • Format & Number of pages: 166 pages, book
  • Synopsis: But although much of the text in writer/artist Scott McCloud's 1993 book Understanding Comics: The Invisible Art (Tundra) — from which the definition was culled — occasionally tumbles into dry-and-didactic territory, the book comes across as ...

Another description

Fraser, R

The Dark Ages and the Age of Gold
Russell A. Fraser

In this original and provocative book Russell Fraser has set himself no less a task than the description and interpretation of one of the signal "facts" of Western history—the breaking away of the present from the medieval past. He locates this break in England in the sixteenth century, and on the continent two hundred years earlier. Unafraid to synthesize, he weaves a rich fabric of quotations, allusions, and examples from art, music, philosophy, theology, and physical science to explain the cultural transition to the modern world.

Although the author ranges from Plato to the present, his focus is concentrated on the major figures of the Middle Ages and the Renaissance, especially Shakespeare, "the last and greatest of medieval artists." His intention is always to draw together and compare medieval. Renaissance, and contemporary attitudes so that the reader can see the past becoming the present, how and when this transformation occurred, and for what reasons.

Originally published in 1973.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Another Princeton book authored or coauthored by Russell A. Fraser:




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    The Dark Age: Grim, Great - Gimmicky Post-Modern Comics by Mark Voger

    The Dark Age: Grim, Great & Gimmicky Post-Modern Comics

    Do you remember The Dark Knight Returns and Watchmen. The "polybagged" premium" craze? The death of Superman? Renegade super-heroes Spawn, Pitt, Bloodshot and Cyberforce? When vigilantes spilled blood by the gallon -- and those were the good guys?More Do you remember The Dark Knight Returns and Watchmen. The "polybagged" premium" craze? The death of Superman? Renegade super-heroes Spawn, Pitt, Bloodshot and Cyberforce? When vigilantes spilled blood by the gallon -- and those were the good guys? Read all about the sometimes glorious, sometimes gory era of comic books known as The Dark Age ! Less

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    Community Reviews

    Jdetrick rated it did not like it

    about 1 year ago

    There's a great book to be written about the late 80s and early 90s in comics, but unfortunately, this is not that book. It never really defines the era, it's horribly laid out (it looks like an ugly comic from the 90s) and it is jumbled. The author goes back and forth in. Read full review

    Paul rated it it was ok

    over 4 years ago



    CM Magazine: Graphic Medieval History

    The Dark Ages and the Vikings. (Graphic Medieval History).

    Gary Jeffrey. Illustrated by Nick Spender.
    St. Catharines, ON: Crabtree, 2014.
    48 pp. pbk. hc. pdf & html, $11.95 (pbk.) $21.56 (RLB.).
    ISBN 978-0-7787-0407-2 (pbk.), ISBN 978-0-7787-0401-0 (RLB.), ISBN 978-1-4271-7519-9 (pdf), ISBN 978-1-4271-7513-7 (html).

    Subject Headings:
    Vikings-Great Britain-Juvenile literature.
    Great Britain-History-Anglo-Saxon period, 449-1066-Juvenile literature.
    Vikings-Great Britain- Comic books, strips, etc.
    Great Britain-History-Anglo-Saxon period, 449-1066-Comic books, strips, etc.
    Graphic novels.

    Grades 5-8 / Ages 10-13.

    Review by Dave Jenkinson.

    Crusades. (Graphic Medieval History).

    Gary Jeffrey. Illustrated by Terry Riley.
    St. Catharines, ON: Crabtree, 2014.
    48 pp. pbk. hc. pdf & html, $11.95 (pbk.) $21.56 (RLB.).
    ISBN 978-0-7787-0403-4 (pbk.), ISBN 978-0-7787-0397-6 (RLB.), ISBN 978-1-4271-7515-1 (pdf), ISBN 978-1-4271-7509-0 (html).

    Subject Headings:
    Crusades-First, 1096-1099-Juvenile literature.
    Hattin, Battle of, Israel, 1187-Juvenile literature.
    Crusades-Third, 1189-1192-Juvenile literature.
    Crusades-First, 1096-1099- Comic books, strips, etc.
    Crusades-Third, 1189-1192-Comic books, strips, etc.
    Hattin, Battle of, Israel, 1187-Comic books, strips, etc.
    Graphic novels.

    Grades 5-8 / Ages 10-13.

    Review by Dave Jenkinson.

    Rebellion & Revolt. (Graphic Medieval History).

    Gary Jeffrey. Illustrated by Terry Riley.
    St. Catharines, ON: Crabtree, 2014.
    48 pp. pbk. hc. pdf & html, $11.95 (pbk.) $21.56 (RLB.).
    ISBN 978-0-7787-0405-8 (pbk.), ISBN 978-0-7787-0399-0 (RLB.), ISBN 978-1-4271-7517-5 (pdf), ISBN 978-1-4271-7511-3 (html).

    Subject Headings:
    Scotland-History-Wallace�s Rising, 1297-1304-Juvenile literature.
    Tyler�s Insurrection, 1381-Juvenile literature.
    Glendower, Owen, approximately 1354-1416-Juvenile literature.
    Scotland-History-Wallace�s Rising, 1297-1304-Comic books, strips, etc.
    Tyler�s Insurrection, 1381-Comic books, strips, etc.
    Glendower, Owen, approximately 1354-1416-Comic books, strips, etc.
    Graphic novels.

    Grades 5-8 / Ages 10-13.

    Review by Dave Jenkinson.

    Castles. (Graphic Medieval History).

    Gary Jeffrey. Illustrated by Nick Spender.
    St. Catharines, ON: Crabtree, 2014.
    48 pp. pbk. hc. pdf & html, $11.95 (pbk.) $21.56 (RLB.).
    ISBN 978-0-7787-0402-7 (pbk.), ISBN 978-0-7787-0396-9 (RLB.), ISBN 978-1-4271-7514-4 (pdf), ISBN 978-1-4271-7508-3 (html).

    Subject Headings:
    Ch�teau Gaillard (Les Andelys, France)-History -Juvenile literature.
    Dover Castle (Dover, England)-History-Juvenile literature.
    Conwy Castle (Conwy, Wales)-History-Juvenile literature.
    Ch�teau Gaillard (Les Andelys, France)-History -Comic books, strips, etc.
    Dover Castle (Dover, England)-History-Comic books, strips, etc.
    Conwy Castle (Conwy, Wales)-History-Comic books, strips, etc.
    Graphic novels.

    Grades 5-8 / Ages 10-13.

    Review by Dave Jenkinson.

    Knights. (Graphic Medieval History).

    Gary Jeffrey. Illustrated by Nick Spender.
    St. Catharines, ON: Crabtree, 2014.
    48 pp. pbk. hc. pdf & html, $11.95 (pbk.) $21.56 (RLB.).
    ISBN 978-0-7787-0404-1 (pbk.), ISBN 978-0-7787-0398-3 (RLB.), ISBN 978-1-4271-7516-8 (pdf), ISBN 978-1-4271-7510-6 (html).

    Subject Headings:
    Knights and knighthood-Europe-History-Juvenile literature.
    Agincourt, Battle of, Agincourt, France, 1415-Juvenile literature.
    Orl�ans (France)-History-Siege, 1428-1429-Juvenile literature.
    Bosworth Field, Battle of, England, 1485-Juvenile literature.
    Knights and knighthood-Europe-History-Comic books, strips, etc.
    Agincourt, Battle of, Agincourt, France, 1415-Comic books, strips, etc.
    Orl�ans (France)-History-Siege, 1428-1429-Comic books, strips, etc.
    Bosworth Field, Battle of, England, 1485-Comic books, strips, etc.
    Graphic novels.

    Grades 5-8 / Ages 10-13.

    Review by Dave Jenkinson.

    The Black Death. (Graphic Medieval History).

    Gary Jeffrey. Illustrated by Alessandro Poluzzi.
    St. Catharines, ON: Crabtree, 2014.
    48 pp. pbk. hc. pdf & html, $11.95 (pbk.) $21.56 (RLB.).
    ISBN 978-0-7787-0406-5 (pbk.), ISBN 978-0-7787-0400-3 (RLB.), ISBN 978-1-4271-7518-2 (pdf), ISBN 978-1-4271-7512-0 (html).

    Subject Headings:
    Black Death-Europe-Juvenile literature.
    Black Death-Europe-Comic books, strips, etc.
    Graphic novels.

    Grades 5-8 / Ages 10-13.

    Review by Dave Jenkinson.

    The plague bacteria multiplies and blocks up the flea�s foregut, starving it. Eventually the flea vomits blood and bacteria to try to clear its foregut. Then it bites its rat host in a frenzy, injecting bacteria. The infected rat will now infect other fleas. When the rat dies, fleas with the bacteria jump to a fresh host�another rat, another animal, or. a human. (From The Black Death.)

    Think of each of the six books in the "Graphic Medieval History" series as being a kind of history sandwich. One of the sandwich's two slices of bread appears at the beginning of the book and consists of four pages of somewhat dry, once-over-lightly factual history. These pages usually include at least one map as well as numerous colour photographs. A thinner two-page bread slice, also illustrated, is found at the book�s end. In general terms, the first history "slice" sets up the book�s particular focus while the closing "slice" provides a conclusion to the topic. The sandwich's filling consists of a retelling of three historical events connected to the topic, with each being told in graphic novel style. As is the case with many actual sandwiches, it is the filling in the "Graphic Medieval History� series sandwich that will likely be most "tasty" to middle school readers.

    Middle school viewers of the Vikings TV series on the �History� channel will already be aware of the warrior qualities of the Norsemen, and it is this war-like aspect of the Vikings that features prominently in The Dark Ages and the Vikings as the three featured historical events are the 793 raid on Lindisfarne and the Battles of Edington in 878 and Hastings in 1066.

    Between 1095 and 1272, there were some seven Christian crusades that attempted, with varying degrees of success, to free the Holy Land from Muslim control. The illustrated graphic contents of Crusades only attempt to deal with a small portion of these crusades, specifically the 1099 siege of Jerusalem, the 1187 Battle of Hattin, and the 1191 defense of Jaffa. Because knights played such a prominent role in the Crusades, this book does connect in some ways with Knights.

    Of the half dozen titles in the �Graphic Medieval History� series, Rebellion & Revolt is, perhaps, the weakest, and that is principally because its contents will likely be the most unfamiliar to middle schoolers. I believe many, if not most, 10 to13-year-olds have had some passing contact, however brief, with the broad subject matter of the other five books in the series. However, the 1297 Battle of Stirling Bridge, the 1381 standoff at Smithfield and the 1402 Battle of Bryn that are used to exemplify the civil unrest of the period will not readily resonate with the book�s intended audience. Not even a thoughtful reading of this book�s �bread� sections will provide a sufficient context for understanding the significance of these three happenings.

    Animated films like Frozen may cause today�s youth to think of castles as being romantic structures whose wealthy occupants were engaged in endless rounds of feasting, dancing and other entertainments. The contents of Castles will hopefully dispel such notions and cause middle schoolers to see castles for what they were originally - defensive, fort-like structures as opposed to being posh homes for royalty. The 1203 siege of the castle at Chateau Gaillard, the 1216 siege of Dover Castle and the 1294 attack on castle at Caernarfon in Wales are utilized by author Jeffrey to show the roles castles played in the period�s warfare. The writing and illustrations clearly portray how enemies would attempt to breach the castles� walls and the defensive measures that would be taken by the castles� occupants. The book�s opening incident, the siege of the castle at Chateau Gaillard, offers readers an interesting twist. While the French forces had unsuccessfully utilized the traditional attacking methods of the period, they gained victory when a lowly infantryman identified the castle�s weak spot - the garderobes, or toilet exits on one of the castle walls. Under the cover of darkness, French troops stretched ladders up to these excrement and urine-coated holes and then crawled through them and so entered the castle. Victory is victory no matter how badly one might smell.

    Knights may be somewhat disappointing to those readers who approach this book with the expectation that its contents were going to deal with such things as how one became a knight, the details of knights� weapons and their participation in jousting tournaments. Though a bit of such subject matter is touched upon in the book�s �bread� portions, the graphic novel segments of the book portray knights in action as the �battle tanks� of their time. Specifically, the 1415 Battle of Agincourt, the 1429 Siege of Orleans and the 1485 Battle of Bosworth provide the examples of knights functioning in combat.

    The three incidents featured in The Black Death span a very narrow time period, the months between November, 1347 and April, 1348 as the Plague came to continental Europe, then to England and London. Middle schoolers will likely be fascinated by some of this book�s decidedly morbid facts, including the information that, before retreating, Tartar warriors who had been besieging a European-ruled fort on the Black Sea catapulted their plague dead and dying into the fort. The soldiers inside the fort then brought the Black Death back to Europe with them. By the time the plague reached London, �it was at the peak of its killing power�, and half of the city�s population died.

    The artwork supplied by Spender, Riley and Poluzzi for the graphic novel portions of the six books is excellent and captures the drama and action well. As appears to be standard practice in Crabtree books, each book closes with a "Glossary" and an "Index". While the two-page glossary is useful, the index is really much less necessary.

    It's highly doubtful that most middle school students will actually learn much about Medieval history from this sextet of titles, but the graphic novel portions should certainly stimulate some interest in history. A purchase more to motivate than to teach!

    Dave Jenkinson, CM's editor, lives in Winnipeg, MB.

    To comment on this title or this review, send mail to cm@umanitoba.ca.

    Copyright � the Manitoba Library Association. Reproduction for personal use is permitted only if this copyright notice is maintained. Any other reproduction is prohibited without permission.



    Age of Darkness

    Age of Darkness

    "The age of knowledge and enlightenment has ended. The age of darkness has begun. " —Book's tag-line

    Age of Darkness is the sixteenth volume in the Horus Heresy series of novels and is an anthology of short stories.

    Synopsis Edit

    After the betrayal at Isstvan, Horus begins his campaign against the Emperor. a galaxy-wide war that can lead only to Terra. But the road to the final confrontation between father and son is a long one - seven years filled with secrecy and silence, plans and foundations being formed across distant stars. An unknown history is about to be unveiled as light is shed on the darkest years of the Horus Heresy, and revelations will surface that will shake the Imperium to its very foundation.

    Contents Edit

    Age of Darkness contains the following short stories:

    Sources Edit
    • Age of Darkness (Anthology) edited by Christian Dunn
  • Source:


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    New Dark Age Lyrics

    Lyrics to New Dark Age

    In the darkest times
    Darkest fears are heard
    And from the safest places

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    Some make a quiet life

    To keep this
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    The dogs are howling on the street outside
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    And here it comes, a new dark age

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    They can't be broken anymore
    Scratched away at the walls for years
    All we've got to show is the dust on the floor
    And here it comes, a new dark age
    Here it comes.



    Bauhaus (band) - Wikipedia, Photos and Videos


    Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy (vocals, occasional instruments), Daniel Ash (guitar), Kevin Haskins (drums) and David J (bass). The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus. although they shortened the name within a year of formation. Generally considered one of the first gothic rock groups, Bauhaus were known for their gloomy sound and dark image, which drew on styles from dub and glam rock to psychedelia and funk. [1]

    Bauhaus broke up in 1983. Peter Murphy began a solo career while Ash and Haskins continued as Tones on Tail and, later, reunited with David J to form Love and Rockets. Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland. Bauhaus eventually reunited for a 1998 tour and again from 2005 to 2008.

    Contents History [ edit ]

    Ash, his friend David J. Haskins, and Haskins' younger brother Kevin, had played together in various bands since childhood. One of the longer-lived of these was a band called the Craze, which performed a few times around Northampton in 1978. However, The Craze still split up fairly quickly, and Ash once again tried to convince his old school friend Murphy to join him, simply because Ash thought he had the right look for a band. [2] Murphy, who was working in a printing factory, decided to give it a try, despite never having written any lyrics or music. During their first rehearsal, he co-wrote the song "In the Flat Field". [3]

    Ash's old bandmate Kevin Haskins joined as the drummer. Ash made a point of not inviting David J, the driving force in their previous bands, because he wanted a band he could control. [4] Instead, Chris Barber was brought in to play bass, and together the four musicians formed the band S.R. However, within a few weeks S.R. had dissolved, and Ash, Murphy and Haskins teamed up with David J. under the new name Bauhaus 1919. David J. had already agreed to tour American airbases with another band, but decided that joining his friends' group was "the right thing to do". With their lineup complete, the unnamed band played their first gig at the Cromwell pub in Wellingborough on New Year's Eve 1978. [5]

    The band had chosen the name Bauhaus 1919, a reference to the German Bauhaus art movement of the 1920s, because of its "stylistic implications and associations", according to David J. [6] The band also chose the same typeface used on the Bauhaus college building in Dessau. Germany. Bauhaus associate Graham Bentley said that the group was unlike any Northampton band of the time, most of which played predominantly cover songs. [7] Bentley videotaped a performance by the group, which was sent to several record labels, in the hope of obtaining a contract. This approach was hindered partly because many record companies at the time did not have home video equipment, so the group decided to record a demo. [8]

    "Bela Lugosi's Dead" and 4AD [ edit ]

    After only six weeks as a band, Bauhaus entered the studio for the first time at Beck Studios in Wellingborough to record a demo. [9] One of the five tracks recorded during the session, "Bela Lugosi's Dead ", more than nine minutes long, was released as the group's debut single in August 1979 on Small Wonder Records. The band was listed simply as Bauhaus, with the "1919" abandoned. [10] [11] The single received a positive review in Sounds . and stayed on the British independent charts for two years. The song received crucial airplay on BBC Radio 1 and DJ John Peel 's evening show, and Bauhaus were subsequently asked to record a session for Peel's show, which was broadcast on 3 January 1980. [12]

    Signing with the 4AD label, the band released two more singles, "Dark Entries " in January 1980 and "Terror Couple Kill Colonel " in June 1980, before issuing their first album In the Flat Field in October 1980. NME described it as "Gothick-Romantick pseudo-decadence". [13] Despite negative reviews, In the Flat Field topped the indie charts, and made headway on the British pop charts. peaking for one week at No. 72. [14] In December 1980 Bauhaus released a cover of "Telegram Sam ", a hit by glam rock pioneers T. Rex ), as a single.

    Beggars Banquet and breakup [ edit ]

    Bauhaus' growing success outstripped 4AD's resources, so the band moved to 4AD's parent label, Beggars Banquet Records. [15] Bauhaus released "Kick in the Eye " in March 1981 as its debut release on the label. The single reached No. 59 on the charts. [16] The following single, "The Passion of Lovers ", peaked at No. 56 in July 1981. [17] Bauhaus released their second album, Mask . in October 1981. The band employed more keyboards, and a variety of other instruments, to add to the diversity of the record. In an unconventional move, the group shot a video for the album's title track as a promotional tool for the band as a whole, rather than any specific song from the record. [18]

    In July 1982 Bauhaus released the single "Spirit ", produced by Hugh Jones. It was intended to break into the Top 30, but only reached No. 42. The band was displeased with the single, and re-recorded it later in 1982 for their third album The Sky's Gone Out . [19] In the same year, Bauhaus scored their biggest hit with a cover of David Bowie 's "Ziggy Stardust ", which was recorded during a BBC session. The song reached No. 15 on the British charts, and earned the band an appearance on the television show Top of the Pops . [20] Due to the success of the single, the album also became the band's biggest hit, peaking at No. 4. [21] That same year, Bauhaus made an appearance in the horror film The Hunger . where they performed "Bela Lugosi's Dead" during the opening credits. The final cut of the scene focused on Murphy; this, coupled with the singer's modelling work in a popular ad campaign for Maxell. caused resentment among the rest of the group. [22]

    Prior to the recording of their fourth album, Burning from the Inside (1983), Murphy was stricken with pneumonia, which prevented him from contributing much to the album. Ash and David J took the reins, becoming the driving forces behind the record and even performing lead vocals on several tracks. [23] The album's lead single, "She's in Parties ", reached No. 26 on the charts and earned Bauhaus their third and final Top of the Pops appearance. [24] Bauhaus then embarked on an international promotional tour for the album, with dates in Europe and the Far East. [25] David J recalled that the night before they were supposed to perform two shows at Hammersmith Palais in London, the group decided to disband.

    The band played their farewell show on 5 July 1983 at the Hammersmith Palais; dedicated fans had been warned by the band's crew not to miss the show, without telling them it was the last. After a long encore. consisting of some of their early songs, David J left the stage with the words "rest in peace". [25] Burning from the Inside was released a week later. The album received largely positive reviews and reached No. 13 on the charts. [26] Bauhaus released the single "Sanity Assassin" in limited quantities as a farewell gift for those who joined the group's fan club. [27]

    Post-breakup [ edit ]

    After Bauhaus disbanded, the members of the band moved on to various solo work. Murphy worked briefly with bassist Mick Karn of Japan in the band Dalis Car. before going solo with such albums as 1986's Should the World Fail to Fall Apart . 1988's Love Hysteria and 1989's Deep . Ash had already started Tones on Tail with Bauhaus roadie Glen Campling as a side project in 1981; after Bauhaus broke up, Kevin Haskins joined the group, and the trio released an album and several EPs before breaking up after a 1984 American tour. [28] During this time, David J released two solo albums and collaborated with other musicians, recording two albums with the Jazz Butcher. and also with comics writer/spoken-word artist Alan Moore in the short-lived band the Sinister Ducks.

    Peter Murphy in San Francisco, 1987

    During a discussion about the state of their projects at the time, Ash and David J began talking about reforming Bauhaus. All four band members arranged a rehearsal, but Murphy failed to show up on the scheduled day. The other three band members rehearsed regardless, and were inspired by the chemistry they had as a trio. As a result, Ash and the Haskins brothers formed Love and Rockets in 1985. [29] Love and Rockets scored a US hit four years later with "So Alive ". The band broke up in 1999 after seven albums. Both Ash and David J released solo albums during the Love and Rockets years; Murphy contributed backing vocals to David J's 1992 single "Candy on the Cross".

    Reunions [ edit ]

    Bauhaus reunited for the "Resurrection Tour" in 1998, which featured a new song, "The Dog's a Vapour", which was also included in the Heavy Metal 2000 film soundtrack. A live album was recorded during the tour, Gotham . which was released the following year. It included a studio recording of Bauhaus' cover of the Dead Can Dance song "Severance". [30]

    Daniel Ash in 2006

    Bauhaus reunited again in 2005, playing that year's Coachella Festival in Indio, California. They opened their set with Murphy being lowered upside-down to the stage, singing "Bela Lugosi's Dead". Following Murphy's 2005 tour, Bauhaus embarked on a full tour beginning in North America and Mexico in autumn 2005, ending in Europe in February 2006. The band also mentioned that they hoped to record new music following the tour. In May the band performed as opening act for Nine Inch Nails on the summer leg of the latter's US tour. [31]

    In 2008, Bauhaus released their first new studio album since 1983, Go Away White (Cooking Vinyl ). It marked the band's end and the album had no promotional tour. In late 2007, Kevin Haskins said "We were getting along really well, but there was an incident that occurred", and added that as a result, "Some of us just felt that we didn't want to carry on as a working unit". [32] In early 2008, Murphy claimed that he "was most satisfied with the bonding on an emotional level. It was good to be working together and to put the past behind us and it was very positive. The result was coming out really fast, so it was exciting and it was very enjoyable", but in the end, "that rocky character worked and I think it was a bit right to finish it, really". [33] The same year, David J commented on the breakup: "You have a test tube, and you pour in one chemical, and you pour in another chemical, and something happens. It starts to bubble. Pour in another chemical, and it starts to bubble a bit more. You pour in a fourth chemical, and it bubbles really violently, and then explodes. That's my answer". [34]

    Musical style [ edit ]

    Brixton Academy in London. England. February 3, 2006

    Bauhaus combined these influences to create a gloomy, earnest and introspective version of post-punk, [37] which appealed to many music fans who felt disillusioned in the wake of punk's collapse. [38] Its crucial elements included Murphy's deep and sonorous voice, Ash's jagged guitar playing and David J's dub-influenced bass. Their sound and gloomy style would eventually come to be known as gothic rock. [39]

    Legacy and influence [ edit ]

    Although the band were short-lived, their music was influential upon many bands and artists that followed. They had a significant impact on gothic and deathrock artists including Christian Death. [40] Type O Negative [41] and Glenn Danzig. [42] The Mission 's Wayne Hussey sang with Murphy on stage in 2013. [43] According to Courtney Love 's technically unauthorized biography, Courtney Love: The Real Story . Kurt Cobain was a "closet deathrocker" and his Bauhaus records were "scratched up". [44]

    The Bauhaus song "All We Ever Wanted Was Everything" (from the album The Sky's Gone Out ) was covered by several artists and bands, including John Frusciante (former guitarist of Red Hot Chili Peppers ), [79] MGMT [80] and Xiu Xiu (who recorded it in 2006 for their Tu Mi Piaci EP). Billy Corgan of Smashing Pumpkins sang T. Rex's "Telegram Sam" and "All We Ever Wanted Was Everything" live on stage with Bauhaus in 1998. [81] Bauhaus' signature song, "Bela Lugosi's Dead", was covered by several acts, including Massive Attack. [82] Trent Reznor [83] and Chris Cornell (former singer of Soundgarden). [84]

    On 31 October 2013 (Halloween ), David J and Jill Tracy released "Bela Lugosi's Dead (Undead Is Forever)", a cinematic piano-led rework of "Bela Lugosi's Dead".

    Their fanbase extends beyond music; comic book writer Alan Moore wrote the sleeve notes of Mask and contributed an anonymous Bauhaus review called "Phantoms of the Teenage Opera" to the UK music paper Sounds. [85] [86] [87]

    The American novelist Chuck Palahniuk was influenced by the Bauhaus song "Bela Lugosi's Dead" when writing his novel Haunted . [88]

    Popular culture [ edit ]

    Bauhaus's influence on popular culture is visible.

    In the 1984 music video of the song, "You're the Inspiration " from the American band Chicago. lead singer Peter Cetera is seen wearing a Bauhaus T-shirt. [89] In the Beavis and Butt-head season 3 episode "Meet God, Part II" (1993), they view and comment on a music video for Bauhaus' Bowie cover, "Ziggy Stardust". [90] [91] In the South Park episode "Raisins ", Henrietta Biggle (one of the "goth kids") had a bedroom poster of "Blauhaus", a parody version of the band. [92]

    In James O'Barr 's comic book The Crow . the main character, Eric Draven. was heavily based on Peter Murphy when O'Barr saw the band in Berlin, Germany. [93] [94] In Neil Gaiman 's series The Sandman . Dream 's face and appearance were based on Murphy. [95] [96] In fact, Gaiman explained that Murphy was the original model for Dream, also known as Morpheus. [97] Gaiman also stated that Sandman artist Dave McKean based Dream's face, as depicted on the cover of the first issue of Sandman. on Murphy. [98] [99]

    Members [ edit ]
    • Peter Murphy – vocals, occasional guitar, other instruments
    • Daniel Ash – guitar, 12-string acoustic guitar, saxophone, vocals
    • Kevin Haskins – drums, congas, keyboard, piano, backing vocals
    • David J (David John Haskins) – bass, acoustic bass guitar, piano, harpsichord, claves, vocals
    Discography [ edit ] References [ edit ]
    1. ^ ab "Bauhaus: godfathers of Goth or the ultimate post punk band – an appreciation". Louderthanwar. Retrieved 1 April 2015.  
    2. ^ Shirley 1994. p. 18.
    3. ^ Shirley 1994. p. 52.
    4. ^ Shirley 1994. p. 19.
    5. ^ Shirley 1994. p. 20.
    6. ^ Shirley 1994. p. 21.
    7. ^ Shirley 1994. p. 22.
    8. ^ Shirley 1994. pp. 23–24.
    9. ^ Shirley 1994. pp. 25–26.
    10. ^ Shirley 1994. pp. 28–29.
    11. ^ Thompson 2002. p. 59.
    12. ^ Shirley 1994. p. 30.
    13. ^ Gill, Andy (8 November 1980). "Gothick As a Brick". NME . 32.  
    14. ^ Shirley 1994. p. 46.
    15. ^ Shirley 1994. p. 56.
    16. ^ Shirley 1994. p. 57.
    17. ^ Shirley 1994. p. 60.
    18. ^ Shirley 1994. pp. 63–64.
    19. ^ Shirley 1994. p. 115.
    20. ^ Shirley 1994. p. 78.
    21. ^ Shirley 1994. p. 79.
    22. ^ Shirley 1994. pp. 91–93.
    23. ^ Shirley 1994. pp. 96–97.
    24. ^ Shirley 1994. p. 99.
    25. ^ ab Thompson 2002. p. 137.
    26. ^ Shirley 1994. p. 100.
    27. ^ Shirley 1994. p. 102.
    28. ^ "Bauhaus | Bio, Pictures, Videos | Rolling Stone". Rolling Stone . Retrieved 24 February 2012.  
    29. ^ Shirley 1994. pp. 113–14.
    30. ^ Matt Mernagh (Nov 30, 1999). "Bauhaus Gotham". exclaim.ca. Retrieved 15 February 2016.  
    31. ^ "Monsters of Goth: Nine Inch Nails, Bauhaus Uniting for Summer Tour". MTV . 14 Mar 2006. Retrieved 9 December 2013.  
    32. ^ Cohen, Jonathan (4 December 2007). "Bauhaus Bowing Out with New Album". Billboard . Retrieved 7 March 2013.  
    33. ^ Giannakopoulos, V. (25 February 2008). "Peter Murphy (Bauhaus) Interview". Postwave.gr (in Greek). Retrieved 7 March 2013.  
    34. ^ Hathaway, Jay (14 March 2008). "Interviews > David J of Bauhaus". SuicideGirls . Retrieved 7 March 2013.  
    35. ^ "Peter Murphy Bauhaus Interview". The Quietus . Retrieved 27 November 2015.   "How big an influence was reggae on the development of Bauhaus’s music? PM: Massive. We were listening to toasting music all the time, and David brought in a lot of bass lines that were very lead riffs. You can see how those basslines really formed the basis of the music, especially on Mask. We were more aligned to The Clash than anything else that was going around. The Cure and those people really solidified what became goth, I suppose. We had no idea how to play reggae, but that was to our advantage because we expanded on that. It was successful on a very cult, underground level and that was very appropriate because our music was never going to be mainstream. It was seminal music. It was brilliant in its originality".
    36. ^ "Bauhaus – Transmission (Live in Berlin – Feb 06)". YouTube . Retrieved 6 December 2013.  
    37. ^ Erlewine, Stephen Thomas. "Bauhaus | Music Biography, Credits and Awards | AllMusic". AllMusic . Retrieved 7 March 2013.  
    38. ^ Singer, Matthew (12 August 2005). "Ventura County Reporter – Goth Is Dead". Ventura County Reporter. Archived from the original on 7 April 2014. Retrieved 1 April 2014.  
    39. ^ Raggett, Ned. "In the Flat Field – Bauhaus | Songs, Reviews, Credits, Awards | AllMusic". AllMusic . Retrieved 7 March 2013.  
    40. ^ Mopa, Dean (February 1994). "Christian Death Interview". exclaim. Retrieved 2013-12-12.  
    41. ^ "Biography". Type O Negative.net (The Official Type O negative website). Archived from the original on 19 November 2008. Retrieved 5 March 2014. It is Type O Negative's gothically tinged metal, reared on a steady diet of Bauhaus and Sisters Of Mercy, which never takes itself too seriously, that has garnered them critical and commercial success.  
    42. ^ Jon DeRosa (7 March 2005). "Stuck in Lodi". Pitchfork Media Inc. Retrieved 3 August 2013.  
    43. ^ "Peter Murphy and Wayne Hussey Telegram sam and Ziggy Stardust". youtube. 2013. Retrieved 2013-12-12.  
    44. ^ Poppy Z. Brite. "Courtney Love: The Real Story". Simon & Schuster. 1999. ISBN 0-684-84800-7. P.122.
    45. ^ Di Perna, Alan (December 1996). "Dangerous Minds". Guitar Work. Manson: Bauhaus is one of our absolute favorite bands.   Missing or empty |url= (help )
    46. ^ "TR Updates from Trent – Entry 03-23-2006". Nin.com. 23 March 2006. Retrieved 9 December 2013.  
    47. ^ "Douglas McCarthy Interview". Documentaryevidence.co.uk. 2012. Retrieved 9 December 2013.  
    48. ^ Cross, Alan (2012). Skinny Puppy: The Secret History. HarperCollins. ISBN  9781927002124. Having discovered the industrial-grade thumping and noise terrorism of UK bands such as Throbbing Gristle and Cabaret Voltaire, and the moodiness of Bauhaus, Joy Division, early New Order and Depeche Mode, Key and Ogre set about creating their own brand of electronic attack.  
    49. ^ Simon Reynolds (2012). Energy Flash: A Journey Through Rave Music and Dance Culture. Soft Skull Press. ISBN  9781593764777. Born in 1969 and brought up in Detroit's middle-class West Side, Craig took Detroit's Europhile tendencies even further than his mentor Derrick May. As a sensitive teenager, he was into bands like The Cure, Bauhaus and The Smiths.  
    50. ^ Ian Glasper (2014). The Day the Country Died: A History of Anarcho Punk 1980–1984. PM Press. p. 200. ISBN  9781604865165. “Yeah, we were developing all these influences from people like Bauhaus and Joy Division. "  
    51. ^ Dayal Patterson (2013). Black Metal: Evolution of the Cult. Feral House. p. 48. ISBN  9781936239764. All the same, Celtic Frost were clearly also utilizing a much wider spectrum of influence, including that of gothic rock acts such as Bauhaus and Christian Death, and were already beginning to demonstrate the decidedly innovative approach to songwriting (evident in the restrained but notable use of violin and female vocals) that would increasingly earn them the “avant-garde metal” tag.  
    52. ^ Brown, Jake (2010). Jane's Addiction: In the Studio. Rock N Roll Books. ISBN  0972614273. Dave [Navarro] & I [Stephen Perkins] met those cats. They [Perry Farrell and Eric Avery] were more into Echo & The Bunnymen, Joy Division, Siouxsie & the Banshees and Bauhaus. I think that was the sound of Jane's Addiction  
    53. ^ Kot, Greg (18 October 1989). "Seattle's Big Noise Soundgarden Leads a Rock Invasion from the Northwest". Chicago Tribune . Retrieved 12 December 2013.  
    54. ^ Barclay, Michael; Jack, Ian A. D.; Schneider, Jason (2011). Have Not Been the Same: The CanRock Renaissance, 1985-1995. ECW Press. ISBN  9781554909681. 'We were trying for something a little weirder,' Borra says. 'I was listening to hardcore, but we were more influenced by the British side of things – PiL, Bauhaus. By 1984 when A Neon Rome started, punk was considered dead.'  
    55. ^ Steve, Morse (24 July 2003). "AFI Takes Listeners on Dark, Cathartic Journey". The Boston Globe on articles.sun-sentinel.com. Retrieved 9 December 2013.  
    56. ^ Love, Courtney (1 September 1994). "The Hole Story". MTV Networks (Interview). Interview with Loder, Kurt.  
    57. ^ Blackman, Guy (24 July 2005). "The Ace of B". The Age . Retrieved 7 December 2013. By the age of 19 he still hadn't found a band to solo in, and had grown bored with the headbanging genre. "I lost the whole 'f--- society, f--- authority' thing that was driving it from the beginning, so I just stopped playing music in general, and my tastes shifted," he says. He started listening to music that he wasn't immediately inspired to play himself, like Wagner and Beethoven, or gothic groups such as Bauhaus and Sisters of Mercy.  
    58. ^ "Gerard Way Tells About My Chemical Romance's Influences Video". MTV . 14 September 2006. Retrieved 5 December 2013.  
    59. ^ Mulich, Hunter (1 December 2011). "Stop and Start Over: She Wants Revenge, Interviewed". The San Francisco Appeal. Retrieved 7 December 2013.  
    60. ^ Fitzpatrick, Rob. "Eighth Wonder". Melody Maker . Retrieved 3 August 2013.  
    61. ^ Mark, Redfern (30 September 2006). "Peter Murphy of Bauhaus Meets Amanda Palmer of the Dresden Dolls". Under the Radar. Retrieved 9 December 2013.  
    62. ^ Richardson, Mark, ed. (2010). Flaming Lips' Zaireeka. Continuum. pp. 35–36. ISBN  9780826429018. Their first EP from 1984, self-released and pressed in a run of 1,000 vinyl copies, was influenced by darker UK rock on the goth end of the spectrum, bands like Bauhaus and Echo and the Bunnymen.  
    63. ^ Bonyata, Tony (9 June 2007). "Interview with a Vampire Livewire's Exclusive Interview with The Horrors' Frontman Faris Rotter". Livewire.com. Retrieved 5 December 2013.  
    64. ^ Ray Flores (July 1, 2000). "Jello Biafra". Juice Magazine. p. 52. Interviewer: "Who else influenced you?" Jello Biafra: ". When I wrote Plastic Surgery Disasters, the main stuff I was listening to was Bauhaus, Les Baxture and The Groundhogs."  
    65. ^ Duff McKagan, Chris Kornelis (2015). "7 - Know Your Tunes, (Or, the One Hundred Albums Every Man Should Own)". How to Be a Man: (and other illusions). Da Capo Press. p. 49. ISBN  9780306823886.  
    66. ^ Rice, Luis; Rice, Barbara (24 October 1984). "To Be Young, Gifted and Big Black". demenlieu.com. Retrieved 3 August 2013.  
    67. ^ "Ian Curtis, Joy Division, Very Rare Interview". YouTube . Retrieved 23 September 2014. [Starting from 1:22] "Lots of singles, I know so many works from this record shop, where I live and I'll go in there and he will play me..another single, single by. a group called. I think. Bauhaus. "  
    68. ^ Flores, Ray. "Jello Biafra -interview". Juice magazine :52. July 2000.
    69. ^ Jourgensen, Al (2013). Ministry: The Lost Gospels According to Al Jourgensen. Da Capo Press. p. 40. ISBN  9780306822186.  
    70. ^ Greene, Andy (18 June 2009). "Fred Durst: Limp Bizkit Was Used as "Fuel to Torture Other People " ". Rolling Stone . Retrieved 4 August 2013. According to Durst, he endured childhood ridicule over his taste in music. "I loved the Cure and Bauhaus and the Smiths," he says.  
    71. ^ Furman, Leah (2000). Korn: Life in the Pit. Macmillan. p. 17. ISBN  9781466809291. Still, in those days, it wasn't easy being Jonathan Davis. "I was into Bauhaus, Ministry, Depeche Mode. "  
    72. ^ Duff McKagan (2011). It's So Easy: And Other Lies. Simon & Schuster. p. 66. ISBN  9781451606638.  
    73. ^ "Playlist: Mogwai's Stuart Braithwaite". The Guardian . 8 December 2008. Retrieved 3 August 2013.  
    74. ^ Jovanovic, Rob (2004). Perfect Sound Forever: The Story of Pavement. Justin, Charles & Co. p. 41. ISBN  9781932112078.  
    75. ^ Mark Binelli (February 7, 2008). "The Future According to Radiohead". Rolling Stone. Next, Greenwood points out a staircase leading up to Georgina's, a coffee shop where he and Yorke used to hang out back in their school days. "We'd be with the other goths, talking about Bauhaus in our mohair jumpers," he says. "I haven't been in there in fifteen years."  
    76. ^ Justin Kleinfeld (April 1, 2008). "Some Kind of Wonderful". Electronic Musician. NewBay Media, LLC. Retrieved 27 September 2016.  
    77. ^ "Sorted for Trees". acrylicafternoons.com. December 2001. Retrieved 3 August 2013.  
    78. ^ Young, David James (6 July 2016), We take you on a track-by-track tour of Blink-182’s bloated ‘California’ . fasterlouder.junkee.com. retrieved 21 July 2016  
    79. ^John Frusciante – All We Ever Wanted Was Everything ( Bauhaus Cover) Live at La Scène Paris 2001 . YouTube . 2001. Retrieved 3 December 2013.  
    80. ^Hear MGMT's Trippy Bauhaus Cover . 15 September 2011. Retrieved 3 December 2013.  
    81. ^ "Video Billy Corgan Live with Bauhaus in Chicago 1998". YouTube . August 1998. Retrieved 5 December 2013.  
    82. ^ Solarski, Matthew (29 September 2013). "Live Review: Massive Attack V Adam Curtis at New York's Park Avenue". Consequence of Sound. Retrieved 25 April 2014. They played a wide range of covers that tied in to varying degrees with the agitprop documentary taking place onscreen. Some, like The Jesus and Mary Chain's "Just Like Honey" and Bauhaus' "Bela Lugosi's Dead", seemed chosen more for mood.  
    83. ^ "Peter Murphy & Trent Reznor – Bela Lugosi's Dead (Live)". Youtube. Retrieved 13 May 2014.  
    84. ^ "Chris Cornell - 17) Bela Lugosi's dead (Argentina 2007)". Youtube. Retrieved 25 April 2014.  
    85. ^ Parkin, Lance (2011). Alan Moore. Oldcastle Books. ISBN  9781842434604. Mask by Bauhaus in the issue dated 26 February 1981 (Moore also wrote the sleeve notes for that album, as Brilburn Logue). Moore wrote the programme for Bauhaus: Burning the Inside Tour (1983).  
    86. ^ Khoury, George (2003). The Extraordinary Works of Alan Moore. TwoMorrows. ISBN  9781605490090. "Phantoms of the Teenage Opera" half-page article on the group Bauhaus. uncredited but unmlstakeably by Moore, later confirmed on the letters page of the November 29. 1980 issue (p.62): in the course of replying to a reader's letter the editor remarks.  
    87. ^ "Bauhaus: Phantoms of the Teenage Opera". Sounds (16 February 1980).  
    88. ^ Douglas Keesey (2016). Understanding Chuck Palahniuk. Univ of South Carolina Press. ISBN  9781611176988. It is not only these literary traditions that have informed and inspired Palahniuk's fiction; there are significant cinematic and musical influences as well. When it comes to music, Palahniuk has said that “the punk esthetic shaped my work: Start loud, run short, end abruptly.”93 Punk, industrial rock, and other edgy, confrontational styles tend to be the major influences. To get into the right mood to create his damaged and sometimes dangerous characters, Palahniuk will often listen to the same song on repeat while he is writing. These have included Radiohead's “Creep” for Choke, Depeche Mode's “Little 15” for Diary, and Bauhaus's “Bela Lugosi's Dead” for Haunted.  
    89. ^ "Nardwuar vs. Peter Murphy". Retrieved 2 September 2016.  
    90. ^ "Filmography by Genre for Bauhaus – Animation". IMDb . Retrieved 15 August 2013.  
    91. ^ "Beavis + Butt-Head Watch Bauhaus – Ziggy Stardust". Retrieved 15 August 2013.  
    92. ^ "The Goth Kids". southpark.cc.com. Retrieved 15 February 2016.  
    93. ^ Smith, Evans; Brown, Nathan (2008). "22: Comparative Mythology in Pop Culture". The Complete Idiot's Guide to World Mythology. Penguin Books. p. 287. ISBN  9781436268103. The physical appearance of Eric Draven was based heavily on the face of Peter Murphy of the band Bauhaus, who O'Barr also saw while in Germany, and the body of rock icon Iggy Pop.  
    94. ^ Voger, Mark (2006). "As the Crow Flies". The Dark Age. TwoMorrows Publishing. p. 51. ISBN  9781893905535. Q: How did the Crow character of Eric come to you? O'Barr: Basically, I was just playing around with the makeup on the face. I was in England. On the side of a building was painted the three faces of the English theater, which were Pain, Irony and Despair. The smiling face was Irony. So that's basically where the makeup came from. Physically, Eric is kind of a mixture of Iggy Pop and Peter Murphy.  
    95. ^ McKean, Dave; Gaiman, Neil (1997). The collected Sandman covers, 1989-1997. Watson-Guptill. p. 1. ISBN  9780823046324. The Sandman image was inspired by Peter Murphy, the ex-Bauhaus singer and Maxell tape model, because when artist Mike Dringenberg saw the original sketches for the character he said "He looks like Peter Murphy from Bauhaus."  
    96. ^ McCabe, Joseph, ed. (2004). Hanging Out with the Dream King: Conversations with Neil Gaiman and His Collaborators. Quach, Sophia (photographer). Fantagraphics. p. 92. ISBN  9781560976172. ['Sandman' artist Kelly Jones talks about the inspiration behind Dream's appearance] I know Neil always said [the Sandman] was based on Robert Smith of the Cure, but I just hated the Cure. I didn't want to hear that. I was really into Peter Murphy at that time, the guy from Bauhaus. I didn't like Bauhaus, but I liked him on his own, and he had a song called "Cut You Up" or something; it was on the radio at the time. I bought the CD, and I said, 'You know, with that big poufy hair, he looks like that guy.' At that time, Murphy was very gestural. I don't think the guy ever had a picture taken of him that wasn't angled and in deep lighting. So I took that, too. I said, 'Whenever I do him, I'm gonna do that kind of thing. And get into his face, don't just keep him in deep shadow all the time. He will be in deep shadow all the time, but I want to put across a guy who's clueless. Not stupid, but he's not understanding things.' Because he's an immortal guy who.  
    97. ^ Gaiman, Neil (16 February 2013). "The Official Neil Gaiman Tumblr". Tumblr . Retrieved 10 July 2013. The original idea-model for Morpheus was Peter Murphy from Bauhaus.  
    98. ^ Gaiman, Neil. "Neil Gaiman – FAQ – Comics". Retrieved 22 September 2012. If I remember correctly Dave based the face on the cover of Sandman #1 on an image of Peter Murphy.  
    99. ^ Baddeley, Gavin; Woods, Paul A. (2006). Woods, Paul A. ed. Goth Chic: A Connoisseur's Guide to Dark Culture (2nd ed.). Plexus. p. 1941. ISBN  9780859653824. Sandman inker Mike Dringenberg observed, '"Hey, [he] looks like Peter Murphy from Bauhaus.'" Cover artist Dave McKean and Gaiman 'got some Bauhaus videos and immediately saw that Mike was right; and Dave ended up making the central image on the cover of Sandman [number one] a Peter Murphy-like face.  
    • Shirley, Ian (1994). Dark Entries: Bauhaus and Beyond. SAF. ISBN  0-946719-13-6.  
    • Thompson, Dave (2002). The Dark Reign of Gothic Rock: In The Reptile House with The Sisters of Mercy, Bauhaus and The Cure. Helter Skelter. ISBN  1-900924-48-X.  
    • Reynolds, Simon (2005). Rip It Up and Start Again: Postpunk 1978–1984 . Penguin. ISBN  0-14-303672-6.  



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